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Best media violence

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Violence: Humans in Dark Times (City Lights Open Media) Violence: Humans in Dark Times (City Lights Open Media)
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Violence and the Media Violence and the Media
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Violence in Pop Culture (21st Century Skills Library: Global Citizens: Modern Media) Violence in Pop Culture (21st Century Skills Library: Global Citizens: Modern Media)
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Being Numerous: Essays on Non-Fascist Life Being Numerous: Essays on Non-Fascist Life
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The Violence of Organized Forgetting: Thinking Beyond America's Disimagination Machine (City Lights Open Media) The Violence of Organized Forgetting: Thinking Beyond America's Disimagination Machine (City Lights Open Media)
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Critical Readings: Violence and the Media (Issues in Cultural and Media Studies (Paperback)) Critical Readings: Violence and the Media (Issues in Cultural and Media Studies (Paperback))
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Women, Violence, and the Media: Readings in Feminist Criminology (New England  Gender, Crime & Law) Women, Violence, and the Media: Readings in Feminist Criminology (New England Gender, Crime & Law)
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Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala (Latin American Gender and Sexualities) Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala (Latin American Gender and Sexualities)
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1. Violence: Humans in Dark Times (City Lights Open Media)

Description

Through a series of penetrating conversations originally published in the New York Times and the Los Angeles Review of Books, Brad Evans and Natasha Lennard talk with a wide range of cutting edge thinkers--including Oliver Stone, Simon Critchley, and Elaine Scarry--to explore the problem of violence in everyday life, politics, culture, media, language, memory, and the environment. "To bring out the best of us," writes Evans, "we have to confront the worst of what humans are capable of doing to one another. In short, there is a need to confront the intolerable realities of violence in this world."

These lively, in-depth exchanges among historians, theorists, and artists offer a timely and bracing look at how the increasing expression and acceptance of violence--in all strata of society--has become a defining feature of our times.

"Many of us live today with a pervasive sense of unease, worried that our own safety is at risk, or that of our loved ones, or that of people whose bad circumstances appear to us through networked media. Violence feels ever-present. Natasha Lennard and Brad Evans help us to analyze those feelings, talking with a wide range of thinkers in order to gain insight into the worst of what humans do, and challenging us to imagine a world in which violence is no longer a given. Their book is full of surprising insights and intelligent compassion."--Sarah Leonard, co-editor of The Future We Want: Radical Ideas for the New Century

"In Violence, Brad Evans and Natasha Lennard have created, alongside their interview subjects, a kaleidoscopic exploration of the concept of violence, in terrains expected and not, in prose taut and unexpectedly gorgeous. Their philosophical rigor provides the reader with an intellectual arsenal against the violence of the current moment."--Molly Crabapple, author of Drawing Blood

" . . . a groundbreaking testament to the vital role of the abstract and the theoretical for understanding the depth to which violence is entrenched in human experience and consciousness, and to the necessity of empathetic intellectual stewards like Lennard and Evans to direct such understanding into transformative action. We would be wise to read this collection with a similar eye toward service, and in so doing, open ourselves up to the rare mercy of no longer having to stand on our own."--Alana Massey, author of All The Lives I Want

"This is a book that will make everyone feel clever. Reflections on violence, both actual, and the possibility of, mediating so much of social interaction, also makes for critical reading. The range of interviews with leading academics, to filmmakers and artists, is impressive, at once immediate and relevant, but also profoundly philosophical. More essentially, though, the conversations underline the need and suggest ways to resist and organize in a visionary way, in the extraordinary times we live in."--Razia Iqbal, BBC News

"Notable contemporary thinkers and creators give their individual perspectives in this compelling look at violence. . . . A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by learning from its violent past."--Kirkus Reviews

"The purpose of the work is to challenge humanity to create more meaningful solutions when it comes to these kinds of violence--or at least to name violence without inadvertently inciting even more anger. . . . passion roars through every chapter . . . This book delivers on what it promises, which is an achievement. "--Alison Gately, The Los Angeles Review of Books

2. Violence and the Media

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Used Book in Good Condition

Description

Why is there so much violence portrayed in the media? What meanings are attached to representations of violence in the media? Can media violence encourage violent behavior and desensitize audiences to real violence? Does the 'everydayness' of media violence lead to the 'normalization' of violence in society?

Violence and the Media is a lively and indispensable introduction to current thinking about media violence and its potential influence on audiences. Adopting a fresh perspective on the 'media effects' debate, Carter and Weaver engage with a host of pressing issues around violence in different media contexts - including news, film, television, pornography, advertising and cyberspace. The book offers a compelling argument that the daily repetition of media violence helps to normalize and legitimize the acts being portrayed. Most crucially, the influence of media violence needs to be understood in relation to the structural inequalities of everyday life. Using a wide range of examples of media violence primarily drawn from the American and British media to illustrate these points, Violence and the Media is a distinctive and revealing exploration of one of the most important and controversial subjects in cultural and media studies today.

3. Violence in Pop Culture (21st Century Skills Library: Global Citizens: Modern Media)

Description

Using the new C3 Framework for Social Studies Standards, Violence in Pop Culture in the Global Citizens: Modern Media series explores the sport through the lenses of History, Geography, Civics, and Economics. Text and photos look at the history, basic philosophies, and geography of the prevalence violence in pop culture. As they read, students will develop questions about the text, and use evidence from a variety of sources in order to form conclusions. Data-focused backmatter is included, as well as a bibliography, glossary, and index.

4. Being Numerous: Essays on Non-Fascist Life

Description

Leading radical journalist on violence and anti-fascism, certainty and lies, sex and ghosts

Being Numerous shatters the mainstream consensus on politics, personhood, and truth, and offers in its place a bracing analysis of a perilous world and how we might live in it. Beginning with an interrogation of what it means to fight fascism, Natasha Lennard explores the limits of individual rights, the criminalization of political dissent, the myths of radical sex, and why we may choose to leave room in our lives for ghosts. At once politically committed and philosophically capacious, Being Numerous is a revaluation of the idea that the personal is political, and goes on to ask the central question of our timehow can we live a non-fascist life?

5. The Violence of Organized Forgetting: Thinking Beyond America's Disimagination Machine (City Lights Open Media)

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City Lights Books

Description

"Giroux refuses to give in or give up. The Violence of Organized Forgetting is a clarion call to imagine a different America--just, fair, and caring--and then to struggle for it."--Bill Moyers

"Henry Giroux has accomplished an exciting, brilliant intellectual dissection of America's somnambulent voyage into anti-democratic political depravity. His analysis of the plight of America's youth is particularly heartbreaking. If we have a shred of moral fibre left in our beings, Henry Giroux sounds the trumpet to awaken it to action to restore to the nation a civic soul."--Dennis J. Kucinich, former US Congressman and Presidential candidate

"Giroux lays out a blistering critique of an America governed by the tenets of a market economy. . . . He cites French philosopher Georges Didi-Huberman's concept of the 'disimagination machine' to describe a culture and pedagogical philosophy that short-circuits citizens' ability to think critically, leaving the generation now reaching adulthood unprepared for an 'inhospitable' world. Picking apart the current malaise of 21st-century digital disorder, Giroux describes a world in which citizenship is replaced by consumerism and the functions of engaged governance are explicitly beholden to corporations."--Publishers Weekly

In a series of essays that explore the intersections of politics, popular culture, and new forms of social control in American society, Henry A. Giroux explores how state and corporate interests have coalesced to restrict civil rights, privatize what's left of public institutions, and diminish our collective capacity to participate as engaged citizens of a democracy.

From the normalization of mass surveillance, lockdown drills, and a state of constant war, to corporate bailouts paired with public austerity programs that further impoverish struggling families and communities, Giroux looks to flashpoints in current events to reveal how the forces of government and business are at work to generate a culture of mass forgetfulness, obedience and conformity. In The Violence of Organized Forgetting, Giroux deconstructs the stories created to control us while championing the indomitable power of education, democracy, and hope.

Henry A. Giroux is a world-renowned educator, author and public intellectual. He currently holds the Global TV Network Chair Professorship at McMaster University in the English and Cultural Studies Department and a Distinguished Visiting Professorship at Ryerson University. The Toronto Star has named Henry Giroux one of the twelve Canadians changing the way we think."

More Praise for Henry A. Giroux's The Violence of Organized Forgetting:

"I can think of no book in the last ten years as essential as this. I can think of no other writer who has so clinically dissected the crisis of modern life and so courageously offered a possibility for real material change."--John Steppling, playwright, and author of The Shaper, Dogmouth, and Sea of Cortez

"A timely study if there ever was one, The Violence of Organized Forgetting is a milestone in the struggle to repossess the common sense expropriated by the American power elite to be redeployed in its plot to foil the popular resistance against rising social injustice and decay of political democracy."--Zygmunt Bauman, author of Does the Richness of the Few Benefit Us All? among other works

Prophetic and eloquent, Giroux gives us, in this hard-hitting and compelling book, the dark scenario of Western crisis where ignorance has become a virtue and wealth and power the means of ruthless abuse of workers, of the minorities and of immigrants. However, he remains optimistic in his affirmation of radical humanity, determined as he is to relate himself to a fair and caring world unblemished by anti-democratic political depravity."--Shelley Walia, Frontline


6. Critical Readings: Violence and the Media (Issues in Cultural and Media Studies (Paperback))

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Used Book in Good Condition

Description

This introduction to current thinking about media violence and its potential influence on audiences adopts a fresh perspective on the media effects debate. The authors argue that the daily repetition of media violence helps to normalise and legitimise the acts being portrayed.

7. Women, Violence, and the Media: Readings in Feminist Criminology (New England Gender, Crime & Law)

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Used Book in Good Condition

Description

Through the lens of feminist criminology, this volume examines the complex interrelationship of women, violence, and media presentations. The book is divided into three sections. The first, Gendering Constructions, lays the groundwork for the volume by examining the print medias presentation of gendered violence, female killers on Law and Order, African American women in Hollywood films, and women in media, crime, and violence textbooks. The second section, Debating the Issues, explores aspects of femicide, including mass murder incidents, domestic violence in Bangladesh, and wartime sexual violence in reality and on television. The final section Changing the Image, focuses on efforts to replace masculine assumptions with constructive approaches to imagining women. Designed for course adoption, Women, Violence, and the Media emphasizes the key themes and critical skills required for media literacy, and the volume offers guidelines for readers on conducting their own research.

8. Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala (Latin American Gender and Sexualities)

Description

Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala analyzes the scope and dynamics of violence against women in Guatemala and how it is represented in the print media. Using nearly two thousand Guatemalan newspaper reports covering murders and assaults on women, this book contextualizes violence against women within the history of violence in Guatemala; gender ideologies and patriarchal social structures; and the contemporary demands of the womens movement for social and legislative change. It shows that while some newspapers cover violence against women with investigative reports and editorials that use feminist analysis and language, these are overshadowed by the large number of individual reports that reproduce narratives of terror and conceal the gendered nature of violence against women by suggesting that delinquents, gangs, unknown men, and inexplicably violent husbands are the main culprits, while simultaneously upholding dichotomous gendered narratives of good and bad wives and daughters.

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